![]() The pursuit of this goal has led to ISLAA’s involvement in more than 400 lectures and conferences, 30 books, and 20 large-scale exhibitions. Ariel Aisiks founded ISLAA in 2011 to raise the international visibility of art from Latin America. The Institute for Studies on Latin American Art (ISLAA) advances scholarship and public engagement with art from Latin America through its program of exhibitions, publications, lectures, and partnerships with universities and art institutions. The works on view are on generous loan from the ISLAA collection. The Institute for Studies on Latin American Art (ISLAA) provided funding and extensive archival and research support. The accompanying archival display presents smaller textile works including the artist’s signature whimsical animal motifs and two sculptures from his Familia series. The four major works in the exhibition feature embroidered texts, juxtaposing floral images with both political and personal phrases. ![]() We hope you will join the curators at 6:30 PM for a tour and discussion of the Spring 2023 Duke House Exhibition.įeliciano Centurión: Telas y Textos showcases the artist’s embroideries on various readymade textiles executed between 19, highlighting the latter years of Centurión’s short, but prolific career. Curated by Diana Cao, Tatiana Marcel, and Nicasia Solano, Feliciano Centurión: Telas y Textos provides an opportunity to examine the aesthetic and material interplay of text, fabric, and found objects in his oeuvre. The Institute of Fine Arts, New York University is pleased to present Paraguayan artist Feliciano Centurión’s third solo exhibition in the United States. Learn more about the String Studies Chamber Series: NYU String Studies Chamber Music Concert Series Learn more About the China Project Workshop His monograph, Sublime Ideas: Drawings by Giovanni Battista Piranesi, will be published in March 2023 to accompany an exhibition of Piranesi’s drawings at the Morgan.ĭescription: Jonathan Hay, Institute of Fine Arts, NYU and Michele Matteini, Institute of Fine Arts, NYU will present on The Place of Chinese Painting Studies Today: A Conversation across Generations. ![]() ![]() His recent publications include the exhibition catalogues Guercino: Virtuoso Draftsman and Drawing in Tintoretto’s Venice as well as essays, entries, and reviews in a range of exhibition catalogues and scholarly journals. Engelhard Curator, Head of the Department of Drawings and Prints, and Curatorial Chair at the Morgan Library & Museum. While expressing the need for connoisseurial expertise in navigating the field, he also reflects on the ways in which forgeries disrupt not only the market but also the scholarship on master drawings. Inspired by a recent rash of fake old master drawings that have appeared on the market, curator John Marciari looks in this lecture at some of the techniques used by forgers from the Renaissance to the present, and at some of methods (and coincidences) that have been used to uncover those deceptions. For as long as there has been an art market, fakes and forgeries have been sold, infecting the minds of consumers and critics with questions and doubts. ![]()
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